computer needs repair. Until I can get back to you, all the moves of 1851:
1 P-K4 P-K4
2 P-KB4 PxP
3 B-B4 P-QN4
4 BxP Q-R5 ch
5 K-B1 N-KB3
6 N-KB3 Q-R3
7 P-Q3 N-R4
8 N-R4 P-QB3
9 N-B5 Q-N4
10 P-KN4 N-B3
11 R-N1 PxB
12 P-KR4 Q-N3
13 P-R5 Q-N4
14 Q-B3 N-N1
15 BxP Q-B3
16 N-B3 B-B4
17 N-Q5 QxP
18 B-Q6! BxR
19 P-K5 QxR ch
20 K-K2 N-QR3
21 NxP ch K-Q1
22 Q-B6 ch NxQ
23 B-K7 Mate

Chen Anying : What technology do you think exerts the most impact on modern art?

Jin Jiangbo : All of them. What influences art is science and technology. Science and art share the same aim; both emphasize originality and invention. The way that artists consistently question the world resembles the way scientists constantly solve problems, and the use of new materials and tools influences the way art is exhibited and presented."
. . . . . . . . . . Yishu Magazine Mar/Apr p 66

...from David Caley - - an Ideas Fri. night radio prog - - image of idealist scientist in tower vs contemp industrial / lab scientist in corporatn locales.

Susan Sontag On Photography (1990)
"Photography does not simply reproduce the real, it recycles it - a key procedure of a modern society. In the form of photographic images, things and events are put into new users, assigned new meanings which go beyond the distinctions between
the beautiful and the ugly,
the true and the false,
the useful and the useless,
good taste and bad."

plse see apr24, item 2. Yiwu
first, field research on industrial production results for Jin Jiangbo a body of fascinating photographs...scenes reflecting bizarre look of a massive market, loads of merchandise visible...almost no shoppers Place appears dead in dayllight... comes to life in the evening only because (evening) rental costs are lower.

(Headng coined by critic Yang Xiaoyan)
It is Jin Jianbo (b.1972) affected least by politics who says twice : "What appear be of regional consequence...strongly reflect inner problems long rooted in China’s economic structure" He responds to three questioners in an article The Modern Chinese Landscape... by recountng efforts to witness via art :
"1. Guangdong Province - 10,000 foreign-investd enterprises withdraw in only one yr..."
2. Yiwu - 25,000 factories produce 400,000 varieties of small commodity; 1,000 containrs lve every day; 200 destinatns."
3. Dongguan - Jin Jianbo’s own camera images of abandoned packaging workshops/ warehouses/ dormitories, etc.
... all, evidence of "fragmentation and ruination."
. . . . . . . . . . . Yishu Magazine Mar/Apr pp 59-71

1 P-K4 . . . .P-K4
2 P-KB4. . . PxP
3 B-B4 . . . .P-QN4
4 BxP. . . . .Q-R5 ch
5 K-B1.. . . N-KB3
...had mentioned how at Move 3 when the Bishop went to b4 and, I cd consult, the White King to get out of Black Q check would go to b1 (White Bishop home sq.) I wondered what had transpired betw King and loyal subject before Move 5. A slip into philately* wd take too long to fashion. I did get one sentence though (focalizer, about eithr Bishop or King) ... one cd go backward or fwd from it :
"...a firm denial of an unmade accusation..."
What a narr. scrapbook is for, to kp these finds on ice - - -

*...stamps, covers, Royal collectns, etc. - - a scrapbook recyclr must work w elements, ephemera at hand.

...maissoneuve - cover explained on p.4 "...the role that international aid has played in food production in Africa..."
..."classic visual satire of hard-scrabble Midwestern values, American Gothic painted by Grant Wood, 1930"
If painted in 1930, what was he thinking?

...still gleaning from maisonneuve p.59... a painter also must "challenge the norm, provoke questions in the most stable identity..?" the real question being, "How?"
... not hang on to the illusion that only comfortable art sells.
...nurture a "middle road" with alternate canvases to "look closely at institutns that control/ enable us/ describe the mechanisms of powr/ belief within our intimate relationships as well as within the public sphere."
Not to gloss over what Bechard had to say about ’repressing’...

...mid-essay (Bechard) ",,,we are comfortable in our daily lives....continue to give insufficient attn to new sources of conflict..are under the illusion that we don’t believe in anything and that we are free. Nothing limits our questioning of our assumptions more than these beliefs."
...a sanitized culture (Bechard) "...has taught us to believe that we are different and better, that social upheaval is ephemeral and that the world will remain as it is..." for our "double lives: quiet streets beyond our windows in contrast to neatly televised images of corruption, inequity and constant, dramatized war."

maisonneuve 1 ...the Cdn Govt, through Canada Magazine Fund, pays editorial/ productn costs; anothr Govt branch pays for mailng, and Canada Council supports this revampd quarterly’s endeavr re ’Arts, Opinion & Ideas’.

A p.57 article Learning to Rage by D.Y.Bechard who grew up francophone in rural B.C. and spks about writing, cd take in being a painter as well.
...why the separatn betw aesthetics and politics? Bechard quotes Orwell : "The opinion that art should have nothing to do with politics is itself a political attitude."

to picture Gaseous Five, Artist Comments : Y. Venus, not Mercury.

...had to finalize past work for Mayerette to complete her (story) function of locating six robots. The Raneygazoo is out; Widow Gu won’t approve rental fee. M visits as many estabs as tale can comfortably tell. ... already has a nicheMaze. The Gaseous Five (b5) are not exhibit-suitable; Cadets are offshore. Grifters, Dirtnecks, warehouse wrecks and Copies, all that’s left.
...in N squares (26 of them) labs are broke (unfunded); exceptns make for storytellng...;
...penTiang (redDiamonds) have all the money.
...the Caryer (hearts) Plainsong Boutique can kp its famous Raneygazoo. I suspect the penTiangers (diamonds) said no.

...so busy with robot labs havent had time to develop White Kings (apostrophe still not workng) Knight or what the Black Queen mightve had in mind or why she backed up to Rook 3. No reason to hold others back...

"the illuminating (fire) is upon the tranquil (mountain)
"...traveling through the situation at hand...unlikely roots will be put down or a life fashioned around the sit...
tasting, testing, sightseeing, collecting info. Whoever it is, will move on.

"People on the move are moving targets...shouldnt let disagreeab situatns detain them. Kp moving.

"maybe for (THE KING)... its an inner voyage mundane day-to-day (b1 BISHOPS HOME) seen in strange new light..."

WHITE BISHOP to his KING :
something to be delivered?
picked up?
...we are but a halt in others journeys
...must facilitate dispatch
one stage to the next. Staging the post, what its always meant - - postcards, letters, packages, parcels, goods, people. Picked up. Delivered.
Whn you go abroad Your Majesty do you not kp in touch w us? perhaps more permanent than ether, something physical, your own handwriting..
.... your own P.O? permanent staff? packets parcels goods people
and who comes off ships - tradrs, merchants nomads, shepherds, slaves - - in stages
one stage to the next
Who here
feels compelled to kp in touch w those left behind
provide reports
on our military, (GOING TOO FAR) natural disastrs, epidemics,
calamities
(AGAIN, CAREFUL) on ones own movemnts?
KING: (AT LAST) Whatre you getting at?
Keep abreast while on Capua of what goes on back home?

"...in chess piece movements, communication can be more true than whatever is s a i d . e.g., a chess openings FORM fluctuations revealing frustration, anger, grief

"...risng in ever more complex board pattrns, reflectns of l i v e s

"...games releasing demons, freeing players."

. . . . . . . . . . . . .AS IT IS IN HEAVEN
. . . . . . . . . . . . . . . . . . . . Niall Williams

"Personalized chess with human values symbolized by pieces/ pawns, is a governing influence like the I Ching or the Tarot." d.timms (1989)

For storytelling, a prev relationship between the White King and his Bishop (b1) could be established. Also, more of the Black Queens character.

The Immortal Game
. Kings Bishop Gambit .
thus far...
1 P-K4 . . . . . .P-K4
2 P-KB4 . . . . . PxP
3 B-B4 . . . . . .P-QN4
4 BxP . . . . . .QR5ch