Bandung, Indonesia - - a typical hse is brick, but "Ridwan was attractd to the idea of combining steel ptd dark brown & dark wood w (30,000) brown bottles..." (wood caps designd for them).
"The bottles are 60% of the facade...they direct light into the hse and reflect it as if they were mirrors"
...THEY LOOK OUTSTANDING x THE EXTERIOR, but "...checkerbd of bottles / windows filterd through sheer draperies" (DR) wd thrill senses every time one was in the rm.
...bottles were rounded up in " Bandung and nearby Jakarta, Tasikmalaya & Cirebon ovr a 6-mnth period."

...an eight sq. diagonal (all Templates) = co-axial hexagr pathway, NB lower/ upper trigr being the same.

Unlike a Game, with the Template, what happens each rank is understandable; four whites (Yang) along a8-h8; four yellows along a7-h7 and so on down to a1-h1. Patterns.

...for me, a 20 yr old question gets answered. I’m looking at the subliminal - - subcreations if you will. Hexagr. 40’s lower trigr is above the 29Water co-axial - - a definite warning plus on either side upper Water trigrams, and above 40 another Water signal in hexagr.06. Of course, patterns - - soon old hack. But a game!
...what one does is take any Kt. tour puzzle showing hexagr 64 as one Kt. move from hexagr 01, plunk 40 in its Template home to do the Tour - - other finds - - and where the weaknesses?

...this yr at $18.99, a pirate ship: Uberstix; including a scavenger list to collect recyclables - - good idea. Why not document (journal), combining the two - - sailboat hostages & pirates?

Alison Gzowski of the Shadow Giller Jury in cameo on above progr. announced Shadow Jury’s pick - - couldn’t catch the three books mentioned but two of them were Aristotle (Golden Mean) and A.Michaels’ Winter Vault.

and back to

p.4 ...two Fiber Arts VPs (Interweave, Colorado) handle responsibilities :
1. Art and Jewelry Group and Yarn Group
2. Quilt and Paper Group and Niche Fiber Group

p.6 Letters - - one x a textile conservatr/ museum bd membr/ exhibitns curator who writes "Mixed-media work has always posed probl for conservatn, restoratn, storage, exhibitn" and asks artists to be "creative w pure matls and not use synthetics w unknown life expectancy."

p.6 on same page one finds ’Contributor’, (a Cdn based in Mtl, Que), James D. Campbell art writer/ curator.
Anothr Cdn ’contributor’ is Shannon Stratton, now in U.S. and co-founder/ current director of a not-for-profit artist residency and exhibitn progr in Chicago..

p.10 News and Notes contain book overviews e.g. Thinking Through Craft - - ensuing debate at the Intl Surface Design Assn, Kansas City brought up need to develop "more concept in equal measure to technique in contemp fiber arts"...

p.15... student prizes ("techniques/ processes in field of fiber") announced , Concordia Univ. Mtl.
www.artdiagonale.org

p.18continuing conscience :
Radical Lace and Subversive Knitting
Pricked: Extreme Embroidery
www.madmuseum.org

"...craft and software to create hybrid experiments...
"...through participatory networks, more than 500 people x Canada/Sweden/ UK / US contrib creative skills to collectively make works ...
e.g.
"216 patches each stitched w HTML code for RGB colrs..."
...until 24jan10, Museum Folk Art, San Francisco
www.bildmuseet.umu.ser
www.mocta.org